World Travelers
It took me a while to choose the artwork for my office. For several months, I stared at the blank, white wall, wondering what might belong in that place. There’s something appealing to me about the freshly painted walls, free from scuff marks, dings and imperfections. The open space invokes excitement and mystery. The wall calls out to be adorned. It is full of potential, but the process is also intimidating. And expensive. Art is risky. The piece should have an appropriate message and be the right colors. I’m going to spend a lot of hours sitting across the desk from this art. What if I don’t like it as much as I thought I would? I can’t just try it on for size, and I will not be allowed to return it. I cannot afford to change it out like fashion, assuming the latest trend in hemlines with each season. It’s a commitment. I dared not rush into this decision impulsively. I spent hours clicking on various paintings and photographs, some original art, some prints, trying to picture the small image on the screen taking up residence over several square feet of wall space. After some time, I found the perfect piece, but then it almost didn’t arrive.
My best friend from college lives in New York City. Louise grew up in Wichita, we met in Houston, and now we live on opposite coasts of the country. Occasionally, I feel the physical distance between the two of us like a vast Midwestern cornfield, but more often than not, I feel close and connected. I know what would make her laugh and what (or who) would irritate her. We occasionally speak live on the phone, but we exchange text messages almost daily. For the entire first year after Sam’s death, she sent me an encouraging email message every morning and every evening. Every single day. For an entire year. She never missed. She was going through a protracted, contentious and expensive divorce at the time, but she remained present with her support and her humor. When she met my Tim for the first time, she took me aside and warned me, That man’s in love with you.
A client mentioned a website that features artists from all over the world and suggested that I might find a suitable piece there. I did. I felt drawn to it almost immediately, an oil painting entitled “Riverside” by an artist from Ghana. It conveys a moment of peace in the midst of what surely must be a difficult journey. I shared the picture with Louise for her blessing, and she loved it, too, as I knew she would. Somewhere between West Africa and the west coast of California, the painting went missing. UPS lost track of it. It vanished. The representative from the art website offered to give me a significant discount on another piece. I clicked and clicked to find a suitable replacement, but nothing fit. The wall stayed blank, no longer inviting but rather disappointed, resigned to waiting for the second-best option.
I ran my first (and so far only) half-marathon with Louise at my side. We trained on opposite coasts, comparing progress and injuries along the way. We shared a training schedule and smoothie recipes, and we encouraged each other when illness, weather and teenaged-boy-related incidentals interrupted our flow. After a few months, race day arrived, Louise flew to the west coast, and I drove up the coast to meet her. Together, we ran the 13.1 miles from the foothills to the beach, all the while motivating each other with anecdotes, insights and ‘atta girls. Every step after the 10-mile marker was a personal best for me. I had never run farther.
“Riverside” is mostly green and yellow, a tangle of trees so thick that the path the two women travel is obscured from the viewer. The river flows in the foreground, including reflections of the women in the moving water. They have come to fetch water, a task that probably takes up the majority of their day. In the painting, they have turned from the river’s banks, and they are heading back home to their village, each balancing a large water container on her head. The women appear tall and strong, almost regal, one with a blue headscarf and the other with red.
I also ran that one-and-only half-marathon with my husband Tim at my side. Flanked by my best friend and the love of my life, I have never been stronger or happier.
“Riverside” arrived at my doorstep unexpectedly. The cylindrical package appeared travel-worn at the edges but otherwise intact. There were no unusual markings or labels to indicate where it might have been diverted or delayed along its path between Africa and North America. As I carefully unrolled the painted canvas, a small leaflet fell to the floor with a brief description of the piece, the name of the artist, and the tagline, “Every treasure has a story…”